Productions will now only be shot in Klang Valley. So I am sorry that you viewers will only get to see the already too familiar Klang Valley landscape over and over again. You will see the twin towers and the KL tower again and again. You will also see the usual KL monorail train shot in the background and you will definitely see more romantic scenes being shot at Taman Titiwangsa with the empty KL Eye ferries wheel in the background. Sorry no more beach scenes.
Most dramas will have the Eye in the background
Visually, there will be fewer car scenes too. Hiring cars and paying for petrol for on screen cars will soon become too expensive. So most scenes will have the artistes either walking or jogging together. Even if we need to use cars in the scene, it will be cars that don't guzzle petrol. So even if the character in the scene is a multimillionaire, you will see him driving around in a Kancil.
The choice of millionaire characters on TV - bye bye Ferrari, and helloooo Kancil
You will definitely see more bicycle riding scenes too. The mat rempit scenes will change visually and aesthetically as the notorious mat rempits will hardly look menacing racing in their bicycles.
A typical yet exciting mat rempit chase scene in a future episode of Gerak Khas
Future look - before and after for Malaysian TV artistes
This is of course due to the lesser days of shooting and lesser footage shot. So with ten minute opening graphics and ten minute closing end credits, we only offer viewers ten minute of drama (for a half hour slot).
And because it is so expensive to shoot elsewhere, most scenes will only be shot in the producer's house - his bedroom, his living room, his kitchen, his garage, his front lawn, his TV room.
Furthermore, we can only afford three artistes for any drama. Either they will have to play multiple roles, or the story revolves only around three characters. Really interesting and gripping stuff. In fact, because producers are resorting to cost savings, the script will be written like a radio drama - with verbal exposition happening every scene (i.e. we tell you what is happening off screen). Below is a sample dialogue script of the foreseeable future:
SC 10. LIVING ROOM - DAY. INT
Mariana dan Idham sekali lagi bertemu di ruang tamu rumah mereka.
MARIANA
Abang pergi mana tadi Bang?
IDHAM
Oh abang pergi pejabat tadi jumpa Encik Rahman,
Encik Suhaimi dan Encik Lim. Mereka semua pakai
kot yang amat sesuai untuk perbincangan korporat.
MARIANA
Abang buat apa dengan mereka?
IDHAM
Oh kita berbincang tentang projek berjuta
juta juta kami yang di Dubai itu.
MARIANA
Dan?
IDHAM
Biasa lah...sedang kami berbincang keliling meja besar
kami yang di impot dari Indonesia dan kerusi kami dari Ikea,
pembantu pejabat kami datang masuk bilek mesyuarat hantar
kopi dan kueh mueh jadi kami pun makanlah. Sedap juga.
MARIANA
Bilik mesyuarat abang besar ke?
IDHAM
Oh cukup busar. Pejabat abang di tingkat 20 dan tingkap bilik
mesyuarat itu boleh nampak seluruh Kuala Lumpur termasuk
Eye on KL yang selalu sepi tu.
(And this scene goes on and on and on)
In fact, we believe if the petrol price crosses the RM3 per litre level, than you will actually only see an actress sitting on a chair on camera and reading you the full script and acting out all the parts herself.
An actress reading and telling you the whole story on TV
No comments:
Post a Comment